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The Eyes are the Harmonies

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This video was inspired by the work of artist Wassily Kandinsky. It is a visual summary of the evolution of his style, from his use of wild brushstrokes to clean, tight lines. One constant over this evolution, however, was his affinity for the abstract; he often depicted objects as largely non-geometrical shapes.

Additionally, Kandinsky was greatly influenced and inspired by music. He likened the act of painting to that of music composition, stating: “Color is the keyboard, the eyes are the harmonies, and the soul is the piano with many strings.”

I drew and animated everything here. As usual, Felipe Mejia did the crazy awesome audio track.

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Dimensional Terrain By Nestor Toro

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Contemplative Mixed media abstract color field painting with subtle color blending, contrast and fine details. Textured with many layers of gesso then applied acrylic paint with spatulas and palette knifes creating very organic textures and forms, completed with sennelier soft and oil pastels, high quality Sennelier and Golden Acrylics and glossy finish.

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Behind The Scenes – Fredrik Værslev Studio

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“Fredrik Værslev as I Imagine Him”

21.09.2018 – 06.01.2019

Astrup Fearnley Museet is proud to present a solo exhibition with the Norwegian artist Fredrik Værslev.

Early in his career, Fredrik Værslev (b. 1979) experienced a breakthrough on the international art scene. His works shift between different painting traditions and are recognised by an insistent focus on the painting process. The works start out in the meeting between architecture and painting, and take form as painted renderings of motifs from the artist’s daily life.

The paintings often shift between abstraction and representation, like his breakthrough series, Terrazzo paintings, that imitate the visuality of Italian stone floors and at the same time call upon the expressivity and spontaneity of abstract expressionism. The Canopy series are reminiscent of modernism and its stripe paintings, but they stem from the awnings in the artist’s childhood home. Værslev often themes and challenges the process of painting by allowing outdoor conditions to take their effect or by making use of untraditional painting implements, like defect spray cans or equipment used to paint roads and sports arenas.

The exhibition at Astrup Fearnley Museet will include a representative selection from Værslev’s artistic production from the past decade.

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Spaghetti Western

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I love the artistic freedom that tabletop work allows. Every other frame is like an abstract painting. Enjoi!

Director & DP – Jonny Stuckmayer
Food Stylist – Kari Setterholm
Gaffer – Thomas Vandenholder
Editor – Josh Mruz
Colorist – Nick Hillyard

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Cravings Exhibition – Bottletop

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Following a pitch Bottletop was pleased to be selected by the Science Museum to produce video sequences for their upcoming exhibition, ‘Cravings’, which examines visual and physical responses to food and taste. Charles Michel, chef in residence at the Oxford Crossmodal Research Lab led a study to see what impact a plate of salad arranged like an abstract painting would have on 60 diners’ perception of the food. Three groups were offered differently arranged salads with identical ingredients. One salad was arranged to look like Wassily Kandinsky’s Painting No. 201 – this was rated the best by diners who were willing to pay twice as much, both before and after eating it. Bottletop was asked to film and edit Charles creating his masterpiece, which appears as part of a triptych video screen installation, as well as editing further archive video for use in the exhibition.

Bottletop – animation, motion graphics & video production for broadcast television, events, mobile and web.

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