Frontier is a departure for me with regards to manufacturing method. After developing a number of rhythmic works (“Barcelona Mosaics”, “Mexico Painting”, “Cicada Songs”, “Time Paintings”) by means of modifying quick bits of sound and symbol in combination into protecting musical patterns, I made up our minds to collaborate with two sound artists for “Frontier”. See the entire model of “Frontier”, beneath, for the introductory climactic sound composition by means of Martin Gendelman. This excerpt options audio of four sound compositions created by means of my son, Elliott Grabill that I edited in combination. The foremost sound paintings on this excerpt derives from Elliott’s composition for refrain entitled “Hathors”.
My intent for “Frontier” was once to create a visually-rich summary surroundings by means of mixing in combination a large collection of supply photos, starting from herbal phenomena (water, sky, and so forth.), to rapidly-scanned side road scenes, to manipulated faces shot off a tv display. Central to the field of vision is a slowly transferring window body construction that permits for various visible sequences to be noticed in combination, each outside and inside of the “window” lower outs.
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